The Marble Arch, Final Project


The Marble Arch is a profound London landmark  designed by John Nash in 1827. It was originally designed to be the entrance to the cour d’honneur of Buckingham Palace. The arch was relocated however in 1851 by Thomas Cubitt to the North East corner of Hyde Park at Cumberland Gate.  The design of the arch was inspired by the Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris. (The fact that the design was inspired by other countries’ works,  reminds me of Dorian Grey’s fascination with beauty and his collection of beautiful items, all from other parts of the world, like the design of the Arch.) This regal arch marked one of six entrances into Hyde Park, a Park where many nobility and important people of the Victorian Era went for downtime. Our beauty obsessed characters, Dorian and Henry, both enjoyed the Park as a place to watch beauty alive in front of them, and the arch marked the entrance and exit of the place they adored.

The Marble Arch then


The Marble Arch today

We see the Marble Arch for the first time in the novel in Chapter 5. Sybil and James Vane had just gone to Hyde Park for a walk. (Both had had to change to be presentable enough to be in the park.) They finished their walk and by the Marble Arch “they hailed an omnibus” to take them back to their “shabby home” 2 miles away on Euston Road. Here the arch can be seen as a symbol of change. As one enters the Park through the Arch they are in a beautiful world, full of beautiful people and the elite. As one exits the Park through the Arch they are back to the real London where they must go back to their own homes (possibly one that is too “shabby” to be near the Park itself.

The Marble Arch is mentioned in chapter 19 by Lord Henry when he is talking to Dorian. Henry had been walking through Hyde Park on a Sunday and noticed by the Marble Arch “a little crowd of shabby-looking people listening to some vulgar street-preacher.” As seen earlier in the novel, seeing shabby people in the park was very unlikely, so this would strike Lord Henry. He hears the preacher say “What does it profit a man if he gain the whole world and lose his own soul?” Henry is asking Dorian to answer the question at first he then goes on to say how it “struck him”. He heard the question and thought it to be dramatic. He says that “London is very rich in curious effects of that kind” Henry paints us a picture of the preacher in a rain coat surrounded by “sickly white faces.” The dramatic phrase is thrown into the air as the beautiful arch looms over them.

marble arch

If we saw this scene through the eyes of Henry, we would see lower class Londoners huddled around a shrill preacher against the beautiful arch inspired by foreign pieces of beauty. We would hear the question of the preacher, almost in shock that such a question could come out of someone not as beautiful as the question itself. Henry is tempted to tell the preacher that “art had a soul but that man had not.” This line is crucial in the novel being an absolute allusion to Dorian’s painting that now has the soul of Dorian, taking on all of the pain and suffering that he has gone through.

When Henry asks Dorian this question that he heard about the Marble Arch, we see Dorian become suspicious that Lord Henry knows something about Dorian and the painting. This arch can represent a turning point in the relationship between Henry and Dorian at this point of the novel.














The Orleans Club (King St)

The phrase “country club” immediately connotes the utmost pretention and affluence; to the average person, this is the location where men in nine-hundred dollar suits go to play golf and talk about their money in posh accents. While the stereotypes associated with these places are certainly not true for every member, they certainly are for Lord Henry Wotton. He says: “I can sympathise with everything except suffering…I cannot sympathise with that. It is too ugly, too horrible, too distressing” (Chapter 3). His credo is hedonistic at best and a direct result of his wealth; he especially does not sympathize with the suffering of the lower classes because they cannot afford the same self-indulgences and thus, they are deemed ugly. For Lord Henry, the “country club stereotype” holds true—he is, in fact, linked with the Orleans Club in the text. This elite club, based out of Twickenham, provided a town house on King St. (near Covent Garden) for both members as well as a non-members (for a fee).

We are not given any evidence to support whether or not Lord Henry is a member, only that he must “meet a man at the Orleans.” Either way, money is involved. If one was a member of the Twickenham Orleans Club, then the annual fee for the London Orleans Club was £8.8 (not including the £15.15 entrance fee and the £10.10 annual fee necessary for membership to Twickenham). In the year 2000, that roughly translates to £3,042 which, in 2015, is approximately $6,388. If he was not a member of the Twickenham branch but was only a member of the London branch, then he would have to pay the same annual fee of $6,388 plus the cost for each additional visit of $3,992. According to “Golf Digest,” the average cost of American country clubs is $6,245, so it follows that The Orleans Club has very high standards.

Because of the amount of money that is required to visit the Orleans club, one would imagine that it would be located in a wealthy district. According to the Charles Booth Poverty Map however, if the Orleans Club is located on King St. near Covent Gardens, it is surrounded by predominantly middle-class citizens with few poor districts interspersed throughout.

Orleans Club

This inconsistency could mean one of two things: either 1) that it could be located on a different King St. in London or 2) that it would account for the Orleans Club rule that “No person is eligible for admission who is not received in general society.” If the surrounding area was of a lower class, then rules are already in place to keep them out—coinciding completely with Lord Henry’s belief system and the classist disposition of many aristocrats. Either way, wealth is praised and poverty is admonished.


Avery, Brett. “Golf & Money: How To Join A Private Club.” Golf Digest. N.p., 12 Aug. 1012. Web. 17 Dec. 2015.

“Booth Poverty Map & Modern Map (Charles Booth Online Archive).” Booth Poverty Map & Modern Map (Charles Booth Online Archive). N.p., n.d. Web. 16 Dec. 2015.

Gaskins, Robert, and Randall C. Merris. “Calculate Modern Values Of Historic Concertina Prices.” Concertina. N.p., 1 June 2005. Web. 17 Dec. 2015.

“Orleans Club.” The Dictionary of Victorian London. Victorian Web. Web. Dec. 2015.

Wilde, Oscar. “The Picture of Dorian Gray.” Chapter 2.” – Wikisource, the Free Online Library. N.p. 1891. Web. 16 Dec. 2015.