Justice under King Richard II

by Brian McCue, Blogging Circle 4

I’m interested in the portrayal of Justice and the right to decide fate in this play. Shakespeare is tackling some pretty subversive ideas and is really challenging what Justice is in medieval England, and what Kingship really entails.

In the opening to the play, we see a variation on how justice plays out in King Richard the Second’s England. Henry Bolingbroke and Mowbray are having a bit of a scuffle, they both seem to think that the other one is a traitor and is guilty of high treason. This is a pretty serious offense, and both Mowbray and Bolingbroke don’t seem to have much evidence on another to prove that Mowbray killed Richard and Bolingbroke’s uncle or that Bolingbroke has been stealing from the crown. So obviously, they decide to solve this quarrel by killing each other with swords. Richard who at first tries to settle the matter through words, basically says “alright guys you do what you gotta do.”
The implication here, is that the Trial by Combat Mowbray and Bolingbroke will have is to be solved by divine intervention, if one of the men kills the other, then his claim must be the true one.

In the second scene of Act I, we see Gaunt meeting with the deceased uncle’s (that Mowbray is accused of killing) widow to tell her that he suspects Richard had something to do with her husband’s death. She asks for him to seek some sort of vengeance on Richard and he tells her:

“God’s is the quarrel; for God’s substitute,
His deputy anointed in His sight,
Hath caused his death: the which if wrongfully,
Let heaven revenge; for I may never lift
An angry arm against His minister.” (1.2 37-41)

Essentially, Gaunt says that “Richard is basically God’s right hand man, can’t really do much about that. You’ll have to ask God to help you.” This of course, is pretty unfulfilling to a widow, and she says that she is so grief struck that she will die. Gaunt is refusing to challenge Richard on his acts, by virtue that Richard is God’s main dude on earth.

Luckily for us, as readers, we know that Mowbray and Bolingbroke are totally going to kill each other, and we’ll be able to tell who is guilty or not by whose blood gets drawn. But of course, Richard denies us our sweet sweet, bloody satisfaction and  decides that both men are guilty so he’ll have to banish them both. Our trial by combat, and access to the divine decision is denied. Bolingbroke seems to accept this,

“Your will be done: this must my comfort be,
Sun that warms you here shall shine on me;
And those his golden beams to you here lent
Shall point on me and gild my banishment.” (1.3)

and considering that he is being banished for 10 years, he even compliments Richard which seems extremely strange. My assumption here is that Bolingbroke really does seem to think Richard is divine, and that his justice is right. Mowbray on the other hand, gets the short end of the stick, being sent away by Richard forever and without any hope of returning. Bolingbroke tells Mowbray to admit his guilt, but Mowbray continues to deny being a traitor to the crown. Mowbray, of course, is heavily implied to have conspired with Richard to kill Richard’s uncle, and believes he didn’t “betray” the throne, instead, he helped Richard solidify his power and now Richard is betraying Mowbray.

So here, Richard has chosen to deny Bolingbroke and Mowbray their trial by combat, or any sense of a legal trial by marking them both guilty with no evidence. Gaunt, Bolingbroke’s father is rightly stricken by this and asks Richard to lessen Bolingbroke’s sentence which he does. It’s pretty clear that Richard’s power is unquestioned here, as Gaunt does not speak up about Richard’s own guilt in the murder of his uncle. This is a pretty solid set up to a tyrannical judicial system which leads us to our conflict in Act II.

In Act II, Bolingbroke raises an army and marches on Richard’s throne while Richard is away, in order to reclaim his inheritance to Lancaster after his father Gaunt has died. (Get it? His name was Gaunt? Because he was weak and dying?) Being exiled, Bolingbroke’s inheritance is pretty questionable, as Richard decided to take Gaunt’s lands (Which should have gone to Bolingbroke) to fund Richard’s military spelunking into Ireland. Bolingbroke meets up with the Duke of York, another of Richard’s uncles and also Bolingbroke’s own uncle, who is keeping the throne warm for Richard while he’s away and explains his situation. The Duke of York says he cannot really stop Bolingbroke and his big army, and Bolingbroke suggests that the Duke of York could technically usurp Richard’s power, and claim his own inheritance of the Kingship. The Duke of York essentially says “Oh darn, I guess you’re going to have to march this big old army into the kingdom and there is nothing anybody can do about it. I sure hope you don’t take the throne from Richard because he’s an awful king and I am sworn to uphold his Kingship.” Bolingbroke isn’t really interested in the throne instead, he just wants justice for himself and an end to his exile. When they finally meet, Richard essentially gives his power up to Bolingbroke since everyone hates him and Bolingbroke killed his friends for treason. Richard assumes that Bolingbroke really wants the throne and gives it to him since he has no actual martial power, suggesting that maybe Richard doesn’t have an inherent right to the throne by blood. Bolingbroke though, seems to honestly want to play by the rules, he does not challenge Richard’s decision to exile him and still praises him as king, and does not seem to have ulterior motives in marching his army to the throne.

The Justice system in this world is deeply religious in nature, either offering up the arbitration to God, or his direct vassal, the King. In both cases we see, Richard muddles everything up by being a pretty terrible king, and denies justice to those who seek it. King Richard’s actual connection to God, and thus his power, is tenuous at best, relying on centuries of tradition and inheritance law and not any kind of fathomable power. As soon as it is tested, Richard’s power crumbles, by any metric other than “divinity” Richard is a really terrible ruler. His vassals hate him, he pretty obviously murdered his uncle, the army does not support him, and he surrounds himself with Yes-men who tell him what he wants to hear.

This implication, that Kings are really just people who lucked out by being born into power must have been an incredibly dangerous one for Shakespeare to make. There is no justice in this world but the justice you create. If the King is not really an exact hand of God, how exactly can you trust his decisions? What then, makes his power legitimate? For Richard, his power is legitimate only by his martial power, as he gives up his power to Bolingbroke based on the fact that his claim is unable to be defended by any army. If the King was truly a hand of God, wouldn’t God protect his kingship? Who is really ruling England? Certainly, Richard’s surrounding of like-minded individuals makes his rule problematic, as Richard should theoretically be able to rule with only the word of God in his ear.

This play has been my favorite that we’ve read so far, specifically because I love court politics and inheritance (I am really really into A Song of Ice and Fire and the tv adaptation, Game of Thrones). For Shakespeare to come to the realization that power is simply a matter of holding on to it, and to reveal it while living under a monarchy is insane. Calling the royal authority (and royalty itself) into question is a very large risk and immediately poses the threat of a rebellion. Super excited to see what happens at the end of this play, but if I had to guess, Richard is going to get killed, and Bolingbroke’s line will succeed the throne. I doubt we’ve seen the last of Mowbray, and I doubt that the throne will look kindly onto Richard being revealed as a kin-slayer.

Print Friendly, PDF & Email

8 Thoughts.

  1. The topic of justice under King Richard II is one that is unclear. At first we see a man who seems indecisive but still at least backs his family (lowering Bolingbrok’s sentence). Later on then we see just how selfish and unjust King Richard actually is through his selfishness in financing the war and not pitying his cousin or his uncle. His true colors are shown through his selfish acts and even if he is being unjust he does not see it in that sense. Your mention about how it is “lucky” to become a king is a statement I completely agree with. This man was born into this position and doesn’t understand how lucky he really is to be born into such power. In my opinion anyone born into such power should be thankfully and courteous to their family of all people, the people who back their high ranking position. Overall Richard in my eyes has become corrupt by power, and I too am excited to see where his selfish ways make him end up, most likely no where good.

  2. I think this play definitely questions the idea that kings are appointed by God. Richard came into the throne as a little boy, ruled terribly, stole his relative’s rightful lands, and was usurped by said relative. The part you mentioned where Bolingbroke thanks Richard for his banishment—I think Bolingbroke was just being a suck up and trying to look really righteous in front of everyone at the duel, a facade he worked to uphold throughout his reclaiming of his lands and seizing the crown. I think it’s a little bit ironic that he and Mowbray are vehemently defending themselves against the charge of treason when not long after, Bolingbroke comes after the Kingship with an army (technically an act of treason, but Bolingbroke probably wouldn’t have classified it as such, since Richard had wronged him). All the ideals surrounding kings and their nobles are skewed in this play, which makes reading it that more fun and surprising.

  3. I think this play definitely questions the idea that kings are appointed by God. Richard came into the throne as a little boy, ruled terribly, stole his relative’s rightful lands, and was usurped by said relative. The part you mentioned where Bolingbroke thanks Richard for his banishment—I think Bolingbroke was just being a suck up and trying to look really righteous in front of everyone at the duel, a facade he worked to uphold throughout his reclaiming of his lands and seizing the crown. I think it’s a little bit ironic that he and Mowbray are vehemently defending themselves against the charge of treason when not long after, Bolingbroke comes after the Kingship with an army (technically an act of treason, but Bolingbroke probably wouldn’t have classified it as such, since Richard had wronged him). All the ideals surrounding kings and their nobles are skewed in this play, which makes reading it that more fun and surprising.

  4. Your analysis is thorough and brings up an interesting point. If Richard is the deputy of God then why does he have advisors butting into the affairs of the nation? Shakespeare highlights the problematic nature of the monarchy in this play, using a clearly unjust character to do so. I think the extremity of Richard’s corruption makes it easier for Shakespeare to bring this play to the public eye in such a conservative society.

  5. Understanding how justice works in this play gets muddled by the end if the play. You are definitely right in identifying how everyone is all fine with the idea of the divine king and how family inheritance works, but as soon as it gets personal For Bowlingbrook is where we see this change. I believe that by the time Bowlingbrook marches into England for his title back, he wants the crown as well. His attitude towards Richard in the decoronation scene to me seemed a bit just like a formality; that he simply didn’t want to be that guy that stole the crown. He wanted Richard to hand it down to him, not because of the rights of kings and inheritances but for PR purposes. He was a man of the people after all, and he still had to look good. Justice in this play seems to be all but lost by the end, as everyone is really just looking out for themselves at the end of the day.

  6. I really thought the points you’ve made are very valid- specifically the exploration of justice, but I actually had a little bit of a different impression: to me, Richard actions are not there to emphasize his negative quality as king but the undertones of the crown itself- Richard has been king for so long, he knows nothing else. The question may e does the ruler become the crown or does the crown become the ruler? Can there be justice in a place where there is no constant body to authority, only the echo of one?

  7. I like that you mentioned how likely it is that Shakespeare is questioning or at least highlighting the English justice system, and perhaps pointing to it’s flaws. To write about such a topic in this thinly veiled manner was rather risqué, especially being that Shakespeare was working for the crown. I also really liked your style of writing, because this post provides modern day translations for the characters haughty speeches, while providing a laugh along the way.I particularly enjoyed the line “Richard is God’s main dude on earth,” and found it to be a rather comical representation of Guant’s argument and the entire concept of the divine right of kings. I think we both agree that the true purpose of this play is likely to question what makes someone or some entity legitimately powerful.

  8. Justice in this play is a fun one to explore with the ending so near! I think an interesting point you could also explore the idea of divine retribution / damnation. Is it true/will it happen? If its not immediate, is it something that happens post-mortem? In the play, when Richard is being dethroned, he makes a comment about damnation that seemed to really strike the chorus heavily. Maybe thats how Shakespeare got away with such a dangerous play, by leaving the religious aspect and questions truly open–unanswered, a pondering or meditation.
    Though I feel it is unlikely with everything that has transpired with Richard’s weakness as a ruler, perhaps we will see some sort of supernatural/divine hand playing a part in the play. But does he redeem himself any in his final moments before being taken away to the Tower? Like mentioned in class, Richard seemed most like a King in his final moments as King, before relinquishing it. Is this possibly the beginning of a redemption? While his right to power is rooted completely in birthright and tradition, is that simply enough in the age of this play? Whether that redemption comes to fruition in his mortal life, or his afterlife at God’s side, should such a thing happen, what could it mean?

Leave a Reply

Your email address will not be published. Required fields are marked *

Skip to toolbar