There is a passage at the beginning of chapter nine of The Picture of Dorian Gray that reminded me of the description of the homosexual male from John Addington Symonds’s A Problem in Modern Ethics. The passage from Dorian Gray reads: “The boyish beauty that had so fascinated Basil Hallward, and many other besides him, seemed never to leave him…Men who talked grossly became silent when he Dorian Gray entered the room. There was something in the purity of his face that rebuked them. His mere presence seemed to recall to them the innocence they had tarnished. They wondered how one so charming and graceful as he was could have escaped the stain of an age that was at once sordid and sensuous.” (Wilde 91-92)
Symonds wrote in his description that the male “Urning” basically has the body of a man, but the soul of a woman. He says that “his passions, inclinations, sensibilities, emotional characteristics, sexual desires–eludes the observation of the senses.” In the above description of Dorain Gray, Wilde wrote of Dorian’s “boyish beauty,” which leaves the impression that Dorian has an effeminate look about him, in spite of his male body. Wilde also writes about how he catches the attention of the other men in the room, who wonder at his state of innocence that they no longer have, and this also relates to Symonds’s claim about characteristics eluded by the soul. Dorain’s look of purity in his face could also allude to an effeminate nature of him, as purity was something more-so socially expected of women at this period, than men. The description of Dorian as charming and graceful also mark that his presence gave off an air of what would be considered as femininity, and noticeable by others. This would also connect with Symonds’s claim of the homosexual male seeming to have a feminine soul.