For this piece, the size has changed. It is much easier to work with the Pan Pastels at a larger size. It goes much quicker for me than the smaller sizes. The entire layer of the pastels alone took me 4 hours. This time I clocked it so I can get a better idea of my pace with the whole process because it takes so long. Applying the wax for the under layer took me an hour. However, I am concerned with applying the layers of wax over this finished piece. Placing the layers evenly before applying the Pan Pastels was an issue. We will see what issues are brought up after I complete the wax layers on top for the incisions. I am very nervous for the next step.
Love this! I’m not sure what pan pastels are, but I understand how you feel about working larger. I always do a better job when I’m working larger. The details come through a lot better
Melissa, how interesting, this portrait is very unique, who is this??? . I really enjoy your color pallet too, the moodiness of the blues seem to really transcend through the wax..
Wow Melissa, this is awesome. It reminds me of graffiti, which I obviously love!
It should be easier to take risks with a piece that didn’t take quite so long to complete?
Quite a shift from urban scene to portrait….
The color choice for this portrait really works well! I agree with Lindsay that it reminds me of graffiti (perhaps like a piece that you might see in one of the neighborhoods you’ve been going to). I’d be interested to see a video of the process of pouring the wax over the drawing as I’m really not that familiar with encaustics