Female Body as Commodity

Tristan begins her chapter on sex workers of London in the Victorian Period with an explanation of why they exist in the first place. Her argument is that all sex work is survival sex work. She says that their existence stems from the inequality of the sexes, particularly in England. The culture that places stigma on pre-marital sex for women, but does not instill that stigma for men invites this job as a remedy. It means that men can seduce or abuse young women with no risk to themselves, but at the cost of destroying those women’s lives. A woman must marry in order to assure a living for herself , because she is not allowed the same “occupations and professions” that allow for a living wage. However, in doing so she gives up her existence. Tristan describes this as choosing “between oppression and infamy.”

Tristan also blames the materialism and capitalism of an industrialized England. The more money accumulated by the upper classes, the poorer the poorer classes get. The more money these men get, the more they have to spend on the sex workers that they are creating by exploiting the poor classes that they come from. She describes seeing in a “finish” a beautiful Irish girl, who later that night she saw on the floor, her dress ruined, because people kept throwing drinks on her. She also describes seeing men create orgies in these finishes, in clear view of others, because they paid so much money that they should have that right. Tristan is describing a market of women’s bodies; where, rich men use them as things to consume and throw away, a growing symptom of the wastefulness of the industrial age. The actual humanity of these women do not matter, and is in fact ignored. When a sex worker is found struggling for breath after a john abuses her for allegedly giving him a disease, the man is not charged with any crimes towards the woman, but rather a crime for disturbing the peace of the neighborhood.
Hood’s poem, describing the body of a sex worker who committed suicide by jumping into the river, takes a stance on the “purity” of this woman. The speaker says to think “Not of the stains of her, / All that remains of her / Now is pure womanly.” And in the final stanza says “Owning her weakness, / Her evil behaviour, / And leaving, with meekness, /Her sins to her Saviour!” The implication of these words is that only through death could this woman receive any kind of forgiveness. She has done the noble thing by taking herself out of this world and placing her soul in the hands of God. Tristan says in her essay “To brave death is nothing; but what a death faces a prostitute! […] moral death all the time, and scorn for herself! I repeat: there is something sublime in it, or else it is madness!” The poem sees something sublime in her death, but sees her life as pitiful. It demands respect for her dead body that she would not have been given in life.

Charlotte Brontë’s Jane Eyre and the Victorian Position of Governess

The position of governess in Victorian society is an awkward one. The author of “Hints on the Modern Governess System” views the governess system as problematic for both governesses and the families they serve. The author writes:

Whether it be right or wrong, as a general rule, for mothers to delegate their most sacred trust to hired strangers, we are not here to discuss. The fact exists. Is the system carried out fairly for all parties? Is there any question astir as to its abuse? Philanthropic eyes are scanning many social evils. (570)

The author is particularly concerned with the plight of the governess. They are concerned that governesses are not paid enough, that they are not viewed as an equal to the mother of the children they govern, that they must deal with rambunctious and insolent children, and that they are going insane and living in asylums–a fact that is misleading, since, as the editor notes, many governesses without families and between positions would stay in asylums because it was a cheap and somewhat respectable place to stay (“Hints on the Modern Governess System” 571).

However good the author’s intentions may be, they come off as slightly patronizing when this article is juxtaposed with the text of Jane Eyre.  While the author believes that being a governess is mentally exhausting for a governess must deal with child intellect all day:

Hour after hour she has bent down her mind, and raised the children’s to given points, which, however interesting, are exhausting. A young thing, perhaps, still herself, ready to spring up again at one kindly touch. Do not even fond mothers, who teach their own children, feel that after the labors of the day they need some interchange of mind? (573)

this opinion is never expressed in Jane Eyre by Jane or any other character. On the contrary, Jane is very fond of teaching and caring for Adele. After Mr. Rochester speaks of Adele’s unfortunate and disgraceful family situation, Jane defends the orphan, “I have a regard for her, and now that I know she is, in a sense, parentless — forsaken by her mother and disowned by you, sir, — I shall cling closer to her than before” (Brontë 218).  Jane’s affection for Adele isn’t based solely on the orphan connection. Jane is fond of Adele’s character: “Still she [Adele] had her merits; and I was disposed to appreciate all that was good in her to the utmost” (218).

The author of “Hints on the Modern Governess System” takes issue with the lower class distinction that a governess holds. The author believes that there is no “greater anomaly than that which makes a woman responsible for children, and their exemplar in all things, whose mother treats her as if she were unfit to associate herself and her guests” (571). Brontë portrays this negative and classist view of governesses in Victorian society in the scenes where Mr. Rochester’s guests mock Jane right in front of her face. In one instance, Blanche Ingram says:

You should hear mama on the chapter of governesses: Mary and I have had, I should think, a dozen at least in our day; half of them detestable and the rest ridiculous, and all incubi – were they not mama? (254)

However, Brontë is making the case for governesses as being equals to their employers, as Mr. Rochester insists that Jane continue to be present when his guests are over (259). In this regard, the author of “Hints on the Modern Governess System” and the author of Jane Eyre are in agreement.


Works Cited

Brontë, Charlotte. Jane Eyre. Ed. Richard Nemesvari. Toronto: Broadview Press. 1999. Print

“Hints on the Modern Governess System.” Fraser’s Magazine. 1844. Jane Eyre. Ed. Richard Nemesvari. Toronto: Broadview Press. 1999. 567-577. Print.