The Marble Arch, Final Project


The Marble Arch is a profound London landmark  designed by John Nash in 1827. It was originally designed to be the entrance to the cour d’honneur of Buckingham Palace. The arch was relocated however in 1851 by Thomas Cubitt to the North East corner of Hyde Park at Cumberland Gate.  The design of the arch was inspired by the Arch of Constantine in Rome and the Arc de Triomphe du Carrousel in Paris. (The fact that the design was inspired by other countries’ works,  reminds me of Dorian Grey’s fascination with beauty and his collection of beautiful items, all from other parts of the world, like the design of the Arch.) This regal arch marked one of six entrances into Hyde Park, a Park where many nobility and important people of the Victorian Era went for downtime. Our beauty obsessed characters, Dorian and Henry, both enjoyed the Park as a place to watch beauty alive in front of them, and the arch marked the entrance and exit of the place they adored.

The Marble Arch then


The Marble Arch today

We see the Marble Arch for the first time in the novel in Chapter 5. Sybil and James Vane had just gone to Hyde Park for a walk. (Both had had to change to be presentable enough to be in the park.) They finished their walk and by the Marble Arch “they hailed an omnibus” to take them back to their “shabby home” 2 miles away on Euston Road. Here the arch can be seen as a symbol of change. As one enters the Park through the Arch they are in a beautiful world, full of beautiful people and the elite. As one exits the Park through the Arch they are back to the real London where they must go back to their own homes (possibly one that is too “shabby” to be near the Park itself.

The Marble Arch is mentioned in chapter 19 by Lord Henry when he is talking to Dorian. Henry had been walking through Hyde Park on a Sunday and noticed by the Marble Arch “a little crowd of shabby-looking people listening to some vulgar street-preacher.” As seen earlier in the novel, seeing shabby people in the park was very unlikely, so this would strike Lord Henry. He hears the preacher say “What does it profit a man if he gain the whole world and lose his own soul?” Henry is asking Dorian to answer the question at first he then goes on to say how it “struck him”. He heard the question and thought it to be dramatic. He says that “London is very rich in curious effects of that kind” Henry paints us a picture of the preacher in a rain coat surrounded by “sickly white faces.” The dramatic phrase is thrown into the air as the beautiful arch looms over them.

marble arch

If we saw this scene through the eyes of Henry, we would see lower class Londoners huddled around a shrill preacher against the beautiful arch inspired by foreign pieces of beauty. We would hear the question of the preacher, almost in shock that such a question could come out of someone not as beautiful as the question itself. Henry is tempted to tell the preacher that “art had a soul but that man had not.” This line is crucial in the novel being an absolute allusion to Dorian’s painting that now has the soul of Dorian, taking on all of the pain and suffering that he has gone through.

When Henry asks Dorian this question that he heard about the Marble Arch, we see Dorian become suspicious that Lord Henry knows something about Dorian and the painting. This arch can represent a turning point in the relationship between Henry and Dorian at this point of the novel.














Marble Arch

“At the Marble Arch they hailed an omnibus, which left them close to their shabby home in the Euston Road” (Wilde, Chapter 5).

Marble Arch

John Nash built the Marble Arch in 1828 as the main entrance to Buckingham Palace. After the palace was extended in 1851, the entirety of the Arch was moved to its current place as an entrance to Hyde Park. The design of the arch was based after the Arch of Constantine in Rome, built for the emperor Constantine, as well as the Arc de Triomphe in Paris, to commemorate Napoleon. Both of these arches were constructed as ways to commemorate the military accomplishments of these emperors, and as Jim and Sibyl are walking under the Marble Arch in London to go home, he is thinking about killing Dorian Gray. Sibyl is something that Jim feels he has to wage a war over to protect.

All three of these arches were built for royalty. Historically, only members of the royal family can pass through the Marble Arch in ceremonial procession, but Jim and Sibyl leave from here to return to their “shabby home” on Euston Road (Wilde).

The wealthy areas around the Arch.  Yellow and red indicate middle class to upper class.
The wealthy areas around the Arch. Yellow and red indicate middle class to upper class.
Where Jim and Sybil live. The purple and blue areas indicate moderate to extreme poverty.
Where Jim and Sybil live. The purple and blue areas indicate moderate to extreme poverty.

This reflects several themes present in Dorian Gray. The theme of the royal, the beautiful, the private, being apart of the common, the ugly, the public. Several times throughout the novel these two separate spheres overlap, and I think Jim and Sibyl’s moment at the arch is no exception. The public and private spheres are two things that highly contrast each other, and there are examples of other extreme contrasts in this scene as well. The Arch was built for royalty, but was places in a public park. Jim and Sibyl pass through a monument meant solely for the royal family, but they are a poor family living in a shabby home. They hail an omnibus; public transportation. They are also non-wealthy people walking in a park surrounded by the wealthy, contrasting with the crowd around them.



“Charles Booth Online Archive.” Charles Booth Online Archive. Web. 16 Dec. 2015.

“Marble Arch by John Nash (1752-1835).” The Victorian Web. Ed. Jacqueline Banerjee. Brown University, 21 August 2006. Web. 16 December 2015.

Wikisource contributors. “The Picture of Dorian Gray (1891).” Wikisource . Wikisource , 30 Sep. 2015. Web. 16 Dec. 2015.