Contents

From the Editors

The 2022 Graduate Symposium | Crystal Donkor

Symposium Essays

Black Spiritual, Classical Body: How Printing African American Folk Music Follows and Subverts White Paradigms | Bri Constagnozzi

Frances Harper in Print: Sexism and the Black Feminine Cultural Ideal | Elizabeth Hill-Caruso

Mary Ann Shadd Cary: Emigration and Black Nationalism | Adrianna Kandeel

Genre, Suspense, and Illustration: Gothic Femininity in Pauline Hopkins’s Hagar’s Daughter | Eugen Margariti

“Saw you the sad, imploring eye?”: Rhetorical Devices in Poems on Miscellaneous Subjects | Lizzy Sobiesk

The American Anti-Slavery Almanac: Rural 19th Century Liberation | Sasha Parrish

Response | Derrick R. Spires

Poetry

Valentine | David Dear

Learner’s Permit | Thomas Festa

The Iris | Abigail Gallagher

Transplant | Abigail Gallagher

The ice rains | Dylan Haughton

Novemberish | Mike Jurkovic

An Orchid, 1941 Georgia O’Keeffe | Raphael Kosek

White Rose with Larkspur No. 2, 1927 Georgia O’Keeffe | Raphael Kosek

teenagers | Steven Siegelski

Essays from the Graduate Program

Reintegrating the Abject in Beowulf: Grendel’s Project of Cultural Reflection | Katherine Boyle

Seeing and Consuming the Human-Animal Other in Jordan Peele’s Nope | Demetri Kissel

Between Absence and Presence: Power Through Silence and Language in Götz and Meyer | Skylar Couch-Tellefsen

The Strength of Independent Bookstores in a Digital Age | Brooke Lundgren

“Overwhelmed by the Horror of War Without its Glory”: The Destabilizing Power of the Damaged Body in Vera Brittain’s Testament of Youth | Dylan Perles

“Little Slaps at Credulity”: Henry James and the Art of Intrusion | Emily Vanston

2022 Graduate Theses

Creative Writing Thesis Showcase

Cantaloupe Kingdom | Peter Camilleri

Let These Birds Out | Katie Cavallucci

  Jackson’s Journey | Michael Clark

Noshem Wearzen | Robyn Hager

Strongheart: Honor Among Thieves | Demetri Kissel

Memoir in Progress | Amber Merlini

Blood | Emma Philippas

Literature Thesis Abstracts

Discord in Thornfield Hall: Critical Postcolonial Intersectionality in Jane Eyre | Emma Ciervo

Tensions of the Body: Transgender Literature and the Body in Space and Time | Sophie Field

Modern Garbage : An Eco-critical Perspective on Trash, Art, Commodities, and Duchamp’s Readymades | Joe Gaudiana

Anti-Thesis: The New Rhetoric of Jim W. Corder | Kevin Thomas