I really enjoyed this article, and the references that Thorpe used. Although I did not relate to some, one that I found particularly awesome was the “zen and the art of the motorcycle mechanic” which is currently in my living room, per my boyfriend, not me. The one example from the book discussed a professor who gave a very open prompt to a student. Now this particular student had always had a hard time thinking outside the box and after several open attempts to get her to think like an artist, he finally asked her to start to describe a building “starting from top brick” She commented on the fact that once she went to the building and sat across the street at a burger joint that she finally was able to write, and much more than she would have thought.

I guess what I liked the most was the idea that creativity happens all the time, and although I do not believe that creativity has a set formula, but that anything and everything can be an inspiration. One thing that she suggests that I can definitely agree with is the idea that we need to be alway practicing. Just like a well trained athlete we need to constantly be working on our craft. Like a musician who always practices or sketchbook or whatever tool we use, always helps us move forward, and to create new ideas.

Scratching is the main point of this article, and something that seems simple but has some layers. Thorpe suggests that small scratches give way to big ideas. That these scratches help us work our way through the murkiness of our thoughts. Big ideas lead to our artwork, but the scratching is what always gets us there. She picks the perfect word to describe this, and I really love her ideas about not working out the same idea again. That we must always move forward, never back.

This article was intriguing but also inspiring, it gave me new ideas to ponder. Thorpe refers to “scratching” as digging through ideas, isn’t this the same thing as brainstorming. Don’t artists use their sketchbooks as a form of preliminary scratching and planning? I know I do! Mozart became inspired by listening to birds while he was inventing musical motifs- aren’t musicians scratching in similar ways as artists?

Thorpe claims that scratching is like improvising- she is right, “scratching can look like borrowing or appropriating which is essential to creativity”. Currently with my studio class, I am working on designing (or figuring out) a way to introduce the art of “altered books” to students. This idea is very complex and I am trying to propose the idea in a way where they are intrigued enough to “scratch” the surface for their own ideas. I am proposing that they work with the ideas of multi-media and supplied images to carry out their theme of the their chosen book. (You should see some of the titles, Moby Dick, secrets of the seas, the face of rural america )… and ease them into the idea of “borrowing” the images and appropriating ideas from the texts and titles. In a sense, we  are scratching for ideas!

Good ideas do lead to big ideas as Thorpe suggests, she refers to the process as waiting for a thunderbolt to strike! She also suggest that we should be in shape, as a practicing artist we could become rusty if not practicing. I must admit, I am feeling rusty these days. I have not truly had the time to be devoted to a work I really enjoy creating- I feel as I am rusty. I am always carrying a sketchbook however, almost like a journal, to jot down feelings, ideas, sketches, brainstorms…that all hopefully will lead mt the direction of BIG IDEAS in the classroom. th th-1 alteredbook1 1c89c257539004880605bbb0886bcad5

In our time there are many artists who do something because it is new; they see their value and their justification in this newness. They are deceiving themselves; novelty is seldom the essential. This has to do with one thing only; making a subject better from its intrinsic nature.” Henri de Toulouse Lautrec

Above- Altered Book examples- as a way to scratch and improvise ideas!

Twyla Thorp, The Creative Habit: Learn it and Use it for Life
The first thing that came to mind after reading the small section in Thorp’s book The Creative Habit: Learn it and use it for life was to look up more about her. Inferring that she was a choreographer from her writing, I wanted to find out more about what she worked on and is currently creating. “Reading fat,” as she calls it is something that I find myself unconsciously doing when I have found something of interest—to learn more about that something. I found this to be very interesting because if you have the interest then the desire to learn more is naturally there. I believe this to be true for my students as well. When finding something of interest, you are naturally curious and want to seek out more information until you ease the scratch; until something else sparks your interest and causes you to scratch for more.
Thorp’s description of scratching was beautifully poignant. I took to her description instantly, and was somewhat jealous of how she found one word that could affectively describe the process we all take in finding our next creative focus. Her lists of areas to find inspiration to scratch, such as books, nature, mentors, and her rules of managing them I enjoyed greatly. I instantly related it to advice I was given when I was sick in Ghana. Never scratch the same place twice, be in shape, and maintain the white hot pitch. I instantly internalized it as a survival tool, categorizing it next to my Ghana life survival tips.

I’ve posted a new reading from choreographer and dancer Twyla Tharp’s book, “The Creative Habit.”   Please excuse the first page, which came out too light but still worth reading.

The Creative Habit: Scratching

Its great to see some new artwork on your blogs! And good job personalizing them, they are looking much more interesting.

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