The political discussions within this chapter brought my thoughts to the current political conversations in the U.S. with the election. I automatically thought about the wide spread hate that is seeping through the news and scaring much of my student population. There have been discussions amongst students and teachers about what appears to be this acceptance that it is now okay to display and express hate since Trump’s election. Then I thought of my own personal negative events that are occurring. I agree with Weschler. I think his statement is right. That:
…. in times of storm, we mustn’t allow the storm to enter ourselves; rather we have to find peace inside ourselves and then breathe it out (pg. 17- 18).
It is in times of turmoil and negativity that turning to things that bring us peace are important. Art has always been a way to bring peace, but also a format where individuals can make sense of negative circumstance.
Weschler mentions that Vermeer’s work portrays peacefulness because he was dealing with external violent factors such as war. That his paintings appear peaceful because he was painting them to bring himself to such a state of mind. Whether it is something political, something personal, or something to represent for a specific group, art has always been a source of reassurance; it offers a voice, an escape, or a form of communication to formulate thoughts for understanding. I think this is what is important to not only teach, but remember as an artist and teacher; what art allows and alleviates.
Tag Archives: Melissa
I didn’t know this was in the works!
Has anybody heard about this before?
Melissa M’s Memo #3
My pedagogic ecology has had an interesting impact this year. Compared to the last two years I was teaching full time in one building, the dramatic change my job has undergone this year has taken a dramatic impact on my positive mindset. I love teaching art to elementary school kids. I feel overwhelmed by their interest and love for the arts. It brings such a great energy to the classroom that I then exert on my kids. I love them and the classroom environment in those situations. Those are the days I find myself leaving with a huge smile on my face. However, now that I have taken on seventh grade, I feel as though I have become a monster. I don’t feel as though I get much time to teach, and all I am dealing with is behaviors. I think it is important and best for the kids when you realize as a teacher that you are not effective for them. I am not this year with seventh grade. It is forcing to question everything I am doing and whether or not I should quit the profession altogether. I do not feel as though I can meet their social emotional needs to help them, let alone to present the art lesson. I have tried several different tactics, changed projects to modify and surveyed what areas of interest they would like me to teach. Yet, I am still found wanting. I deal with random nonsense every day that no teacher should have to endure. I find myself having good days, and something always seems to squash it. For instance, I had the week from hell last week. Thursday was ending on such a positive note; and as I was driving to my second school, I hit a road block. Most of the roads getting to my second school were shut down due to construction. As I arrived late to school, and finally got my seventh-grade class running (and the kids were doing well on task), a vent in the floor starts to leak sulfuric smelling water. As the water rose from the vent, the kids went crazy; and I could not get them to calm down to listen to instructions. Well, needless to say, the seventh and eighth grade students clogged all the toilets on the second floor with goodness knows what. It caused my later classes in the day to be shared with the librarian. Having art and library in the same class is never affective.
Needless to say, with all that is going on, I am currently applying for a job outside of my current district. One in an extremely small district where I would not have to teach middle school. I am torn because I love a good chunk of the kids I still teach, but I feel disconnected from that school because I am itinerant this year. My other school has grown on me because of the majority of the students, but one of my sections of seventh grade is ruining it for me. One class. I only see them every other day, but they are having the capacity to ruin it all. I don’t know how to change that mindset. Then there is the underlying doom that every year I could be at a different school because I do not have seniority. I know that I do not want to teach at a school district that has 37 elementary schools. That leaves the uncertainty that I can be swapped in any of those buildings, any year, due to budget. However, the current position I am applying for is itinerant and will stay itinerant because it is a small district. I would be teaching Pre-K through 5th grade if I am offered a position. I am contemplating throwing the towel in at the end of the year and doing a career change myself. Becoming another statistic that many teachers quit within the first five years. Demonstrating that maybe all my influences on pedagogic ecology were just not enough or lining up correctly.
Melissa M’s Reading Response to Bird By Bird
Allowing oneself to be vulnerable to honesty is extremely difficult. Disliking honest critiques can be gut wrenching, but I truly believe this allows for personal growth. Denial will only leave you wanting. It is like Anne Lamott says in, “Bird by Bird: Some Instructions on Writing and Life,”:
Criticism is very hard to take. But then whichever friend is savaging my work will suggest that we go through it together page by page, line by line, and in clipped, high-pitched voice I’ll often suggest that this won’t be necessary, that everything’s just fine. But these friends will talk me into going through the manuscript…. By the end, I am breathing a great sigh of relief and gratitude (11).
People should be encouraged to embark upon difficult endeavors. I don’t think this is fostered here in the United States in our education system. Telling students it is okay to take risks and fail is important to learning. I tell my students everyday it should be hard and challenging, otherwise what is the point? Making mistakes is the learning process. It is how we start out when we are babies, struggling to stand and then proceeding to walking, so why should it not be part of higher levels of learning? Many of my students rather flat out fail than fail trying; or believe that if they fail once, the whole universe is going to come crashing down; it is all or nothing. I started reading a book awhile back called The Smartest Kids in the World and how they got that way by Amanda Ripley. She talks about the education system in Finland, and how American students are not demanded to put forth enough effort. She goes further into describing the Finish education system and explains a math class where students are presented with extremely hard math problems, and the vast majority fail. No one complains or gets upset, they just try it again. It is curious how the future would unfold if we could foster classrooms based on effort rather than grade (or is this the point of Montessori schools?)
Current Artwork
I started to add the soft pastels to the grid work I posted last week. I have never worked with pan pastels until now, and I think I have found a new material that I love greatly! The pan pastels are applied with applicators that look similar to makeup applicators. It is difficult to use them, but experimenting has been fun. I continue to explore place. When I finish this piece I intend to juxtapose it against city scenes where I work. Then I will cut our and remove areas that I visually find to be different in both city locations. Hopefully, the visuals will generate greater understanding once I complete both pieces. 
Melissa Mizerak Photo Essay
Melissa’s Artowrk
http://herbertfoundation.org/media/img/large/25_baldessari–job04.jpg
I am still looking at John Baldessari’s work. The image I copied her by him is similar to how I am going to approach some of my work. I am reversing the color and I am hoping to use a grey scale for the cutout areas.
Melissa’s Artwork
I have been continuing on with artwork that deals with place and visual material culture. I am still going to try and create a diptych of two different locations and attempt to cutout portions that differ between the two areas. I am specifically trying to deal with different socio economic locations around me. Right now, I have just finished the outline drawing of one area. I am beginning to add the color with soft pastels. I am trying to figure out some technically aspects of PanPastels—love working with the Pan Pastels!


Artwork
I know this might sound ridiculous, but I was consumed the last couple of weeks by Halloween. The other art teacher I work with is very big into costume design. It is her major art form, and every Halloween since I have worked with her we have dressed up for Halloween as artist and artwork. This year we were Leonardo Da Vinci and Mona Lisa. Although, I did not make the dress, I was experimenting with make-up and wigs. I give the utmost credit to costume designers. The work I put into finding a wig that would work under my budget was crazy. I also tried to use make-up to reproduce my face in a realistic manner to the painting of Mona Lisa. That was difificult to do, and I ended up just wearing normal makeup. I have grown to respect the artform more and more as the year passes. So, for this post about our artwork, I am posting about the costume used for school. Although, it was not supposed to be work for school, I was consumed by trying to make it life like these past two weeks. So, here is the picture to display the results.

Response to Nick Sousainis’ Reading
If words are limiting, then can’t pictures be as well? Especially pictures that are not coherent? Yes, the pleasurable thing about art is its ability to be open ended and relatable to all, but don’t artists—generally- create with intension? These are a few questions that came to mind when reading Nick Sousanis’s “Behind the Scenes of a Dissertation in Comics Form.” I enjoyed the synopsis from his dissertation, but I struggled with understanding much of his imagery in the raw form. I think I would have liked to see a few more “polished” strips. This leads me to another question, one in which he mentions text and imagery being a generative cycle. If his sketches are created for the intention of generating thought, is his intension to generate thought just for him or for the viewer as well? How can an artist create something that generates thought for the public and not just generated for the artist’s thoughts?
Sousanis’s excerpt generated many questions for me, especially since I document my work in a less creative manner. Much of my work generates from pictures. Pictures I have taken with my camera phone. I find that I am one who is guilty to being a slave of time. Due to that, I constantly take pictures on my phone of things I want to revisit. I don’t often carry a sketchbook around with me anymore because it takes up space, but instead, I allow the space to be consumed by my phone. A device that can capture what “captured” me more accurately—but maybe less creatively. However, I do appreciate his argument for visual thinking. I have seen many statistics on how humans obtain information mainly though seeing. This one, I have copied and pasted from http://velvetchainsaw.com/2012/05/23/your-senses-your-raw-information-learning-portals/:
Neuroscience and cognitive psychology research has uncovered the amazing power of our senses. This was unimaginable a few years ago.
According to researchers Dr. L.D. Rosenblum, Dr. Harold Stolovitch and Dr Erica Keeps, here’s how much information each of our senses processes at the same time as compared to our other senses.
83.0% – Sight
11.0% – Hearing
03.5% – Smell
01.5% – Touch
01.0% – Taste
That’s surprising. And it flies in the face of some of our conventional educational theories like VAK (visual, auditory and kinesthetic) and Learning Styles. No matter how you slice the pie, our brains give preference to processing vision as compared to our other senses.
So why don’t we emphasize the visual more in education?